Screenwriter Wang Xiaoqiang: some powerful actors have the power to change the script.


Screenwriter Wang Xiaoqiang: some powerful actors have the power to change the script.

Screenwriter Wang Xiaoqiang: some powerful actors have the power to change the script.

Behind the hot topics of TV series and stars, this group of writers is always the "draught" of social networks.

Is it a norm for celebrities to bring resources into groups? Why is the screenwriter always tore into the hot search? Do writers really miss the day when coal bosses make investors?

On July 31, the writer of the hit drama "Mask" Wang Xiaogun visited the "Sina Club Living Room" to talk about the writers and the reality of those things.

Compere: you also followed a lot of TV drama groups, whether there was a case of bringing in the group and changing the script.

Wang Xiaoqiang: I've heard of it. I haven't met it before.

Moderator: tell us about what kind of situation?

Wang Xiaoqiang: I heard a lot. There must be some in this industry. I heard that most of them changed the script. I have a lot of friends around me. They come across an actor, maybe more powerful, and there will be a degree of freedom to change the script. A screenwriter writes a script, and after he wrote it, he waited to see the film, and someone asked him what the situation was. There is a situation in which the situation is particularly open, and the script has not been written on the machine, and it is particularly hasty. The most exorbitant possibility of the 4 and 5 episodes is to start, 30 sets, five or six dramas, and the play is not very good.

Host: is this a common situation?

Wang Xiaoqiang: formerly common, now not too few, now the cost is less and less, the original shoot a spy drama, in this Spy Drama example, the original shot of a play may be a little bigger investment of 60 million, this has been a lot. Now is light loose one hundred million, its cost is high, the risk is big, after the risk is big, it is the investor to reduce this risk degree, the very important reason that is to wait for the script to be more solid, all the opinions reached agreement and reopen the risk will be smaller.

Full text:

Dialogue with the mask: screenplay in winter.

Responsible editor: Liu Debin SN222


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